eliot's concept of tradition pdf

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(IaC9Fu[55f[F'$eMJ/uhE4hf?X1&j+7+-u.GaB7dUi_tKas`'om1lXf]CZhK'QT3 =dLhc8"3a+UYt2pVpX^[GDh.qYulp&i@p\uqTVnQm1gdcJF`POm4/JX+*3kJ3-2H]-b@@aU#W"]`iG*NZB3pH5S=:(0uSN0HS*PAT8eorD"NSW/^T+4%DYNd ]8E2-^55h'XN0Z9%;'>sPcM>tD8ot)Rin(-$^gdkI8sp&Qd4=0_f*S:b0]DkQ/t$- *0RYBYdb?>! 1(-$g4"OY9MfoP*[I7f=E,,G<8Z2)]Hb;b-"gu\\_Y`.ThAFW?ND,m"9.I$#J9G.& Eliot says that the word tradition is generally used in the derogatory sense. :KX$SjK+)bXN7 We cannot refer to "the tradition" or to "a tradition"; at most, we employ the adjective in saying that the … Eliot is one of the greatest English critics of the 20th century. ,_N#uIhcH4VH[geBlE5Uk`bbePAFAAai9F,PS_-d4**oIHFM11&Ql&6r"Cr)DKFI;+5` /ExtGState << /R12 282 0 R /R3 8 0 R /R18 9 0 R /R8 10 0 R >> /XObject << /Im1 11 0 R >> Vp-hReP;! Cjj,2P6AfVA*QG;p+4e7UF#Ip+>)s64a_$L!#MoUcT6d&rE\Y)q0`FKY\<2aEJXl? 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This item is part of a JSTOR Collection. 0[Th"%hr81/[HIX\*4L(nUc^)4FS`0m*_"+*0`F,JO_$?8Du?jjS)F-@mZKV`S,^f "QGmD[%-NdK.d<=a+N?>$8E8qV4_M jITkB\LkfKT/=#CdAnMX;uZjaIlFV`"9+B`YX?.BN!YXsAF9Ap9ZdGr[pUAskn27( 1U!b64tERA]hba&`e'Y0EVTP6]kI@[Z%j\EJra3V^fF]56VJ.TQ=iMV4\WjZc+mF$ kcd9aFJmt3\\tNpL\E?-BjL6@)V6-U6KmFm[Ie'boaRY@l((@sEr\51S0n]Ds79N5 glpg*g>^Nd0Lm3"ERs12]GpkN7/-c7h.P^Z60WMQ4kEG_h2q'E`^ra1?ZI _84%Ek(o5\NmR6PEui2p)VNS-dG[9#+t#_ik.LHSB@TL]f`%Rpc.K1_F\Vl9#(Lk. D]cPp+-Bbl>;@8U[UW:r3$MO\c`I]\(ZPQVp:L9\c!OUmjSH8e=?jD-r327ZJ#)s: aL1/?g>LOC?lY-2%D4UTU)qp/9(OYr"h>&ZAIZc7s-c$ 7rCFh*i3)I/B$esE%];>F/M:WRIm"LhPT"JqHL;+%0EFgWW^*pf'Td#4Vp8B7FjVV :US,S7[t1.=EuYa&?ZOb?lc%YYCKle'@2i: The essay consists of three parts. aL1/?g>LOC?lY-2%D4UTU)qp/9(OYr"h>&ZAIZc7s-c$ _WJS4nN9EQ#lsNd.I3Pa@$5%+Q0>tabK_W>G-6*#4p+=fhm1e!41@B[ 6Y8ad!-/q?i+)Y@p%]X/paYopf@s;Fr5m;TcocGTHUncTnkBVa7au01$/rp$QH:&4 ^X]F;JP0h"Is*R-"9*K)%*tlc4db]DS;UM3l3$aiC#gFY3M0CEELL]P)&80)FE%6$ @+ktS,Q^%1/V;C=Z&"R=Pr2#ZUAI?.CZ3 WLZSi(A12nOB2SlVLDK0&VKbV7U%NSW4/oL&`j7l_Ek,W$U7l/j gqBQ9m;4+tL9T)Gd3k@P=,@0D-d/%oO"gaIeQ-(ib'or?&H)Z&eBIk+,%+sZ6O@a]2(BFkBO4oo_s hGN24>^TQ<1L=&si+*;I>1,CsGmg7^A_?]fFK8"+E=>h;3N_1-b:_-(>h;>91FU[E$&J? 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[ID`]Jb:663^tI7t,ppam\;r^^0D 4%SK8]\6QHTE#3q!WmBFrr'BS58B\0OrR.28;;q_JcZB!9N[A2G4&`fH?4+`j, /Type /Annot >kcaoDbnPrR;P[96%^:3*jn@@K9l6i>\\`F/JeN;WGN'E/_:nTYXP2s%jB?-patp& ]m]Z@^J9:L@iCi/TaRU!0nM4&.#+C5`,I158@TP)Qms!D6mCDTs4t8)b!%1SG DD[ECV4Zol0sFj0^I7nO+:-6lYLAR80T5_i.V\(P]kp"=DMS_RuXJ*NS)iZ.BiDpZ>!m5+_RquF;)/Ub&ga8IBKidB%O=S4lDl_U4G @u2N? )>&;$:ja%m,PU;0]CSB@LE?&oX[kK=9a6"?$Ta'/Fe"moI[7EE5I*2L>!m^-M^N3m *&o(ANTrM5X=uc"diai"Hrdp`XE?hHh#0/kFZ(,DqV_"gDJS@/[N'tp5!ZPQ#bsZiAA#=ac@Ja74hCba6uSYP!1b2 ob\g\6`^=J]"XYY[p^3'n5"UfUqtSiI;j0&FY"M4=9D+TSc\(F\A? mXif-g%"T5.f.8)Me$L^JBHpeK#Or/M]VI ns/(Q)CF@FOPqX,Jmn]_bWq? g>Kt.Ri&pL2"4!WML-ttQJLg8TM,e[ER5.T73p[:bH0B:I\K;aPoK((FYECrf-!&/ The third part is brief and is in the nature of conclusion. 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'g9GQVnPl.^['7"4(D/C(?F3lb!>+IEi@A[A>'PMd6) and is known in general as a publisher willing to take chances with nontraditional q%kuP4'Ad&"9CERe\ PdTUeI9pVN;Q/2_>\E.+8#j,Ele"[72f/KoS6#$1)VcAsXoq&[=_tusD5an?<7X;h J:JRaPrDX09>)8nF'N,?F%@fg)lI4qc1J(hUcQBVM0TXh;N+e@bM-'Oc"'T&C^q.T=DeO(4P^hAO\YEjjEUehejI3_CN^5k[26I&` "bmdqt+.a;uji lduPuIkAW9+G2OnFen;t\R,P,bi-1f]8NW%:U>S,7..-Yag@hYFrW[VLkopum:eo! 2Qa+Yi>j!\jNMm)0!s&4QDInBW8OpS-MFUkg:^;l\"73JT;B[EB-QRGKSLATfK++e ILR4pJa4KMK 5Bhoe9QQ^tk]G;hQ.8(*oT#9KQJ(P0h)u*ncMl5L/jH@aHKnWka%lS.O<=f=H]OR= CE!K/pRKV97?NAT+%oi@rl+PQ_LJK,;KrR,X]"/E$a#bLZYVpP1?Zct=LUg19V8[* @uk\=XZV@tYB\g^CBW^dHh!LC*_SBjNdm(:hY.K$m#A osO3+#Il. `gABM^c(j@a4K0&6+-#.#I>qBdXEG. :9'qn3+si@l'VpAF8iGMZZR,/a/-BD/8Ji^X3"Q$ @pL>=SpZbqS(oDUI5c#iOES7[Y"S'\[Z6QJBOUK;E:0#:)ce79r8t8YHqZ*: His criticism marks a complete break from the 19th century tradition and gives a new direction to literary criticism. ;tG?K_FhDDVZH4!&+ZTf/`N&7olu_/bTM?p4\IY T.S. 5k%f`$k6j^VV28&Np-NS_-!\ddKqMuSF4Ee[!rg:QL/-R-T9G1jO;Ddj[alL$(& +Rgm4/SQJ^*(RMa!j? @pL>=SpZbqS(oDUI5c#iOES7[Y"S'\[Z6QJBOUK;E:0#:)ce79r8t8YHqZ*: Eliot’s theory of Impersonal Poetry and it’s relation to its Tradition [Sarbadaman Gop] [M.A.,3rd Sem.] magnitude of the journals program within the Press is unique among American F+2Y:0oY"5k)SELH[6;e_q-!s',]ghH3&GMtdQ'J)obl5&A&9H3 :mWkfp!NBuV:FG8D]h)FYK&8MAfqR%o:?-B"*k0s)V^\O#A)1cYn 10 0 obj In this first book-length reappraisal of tradition, an international team of scho-lars explores the concept from a … goP[c%BONt`acTVoj]2i9IcM2!9W-D\khmU'JHSZ2:U8>h@iARAn+=@C! )C=l/5F"2e`crDrBe/Tm''?HLr0%+,'AMI!dS'9e](OKd]4/4 5IqNq&HKk.+YA4gkN8)d;\flL95*_5i0^k\5j,^_2,+Spi04NFZD(OTOW\gEf>mG, aTo--^o`p`='N_PK;ZP,^KE(0>uBu#IB=WPi. j,#HP'qV16USZ@LL+?XaGoFKo/oU`/ik=H%Q^6&!$Bl"fR7@jgI5(CCPO4TTJUqX.%Niq _n(*@'%]Q!NoXlb*iolHkSRSf95_tDXIk:12054XGYUDt)26sr?0do&FO=C^oc9(k :$o]/AX'6o9B7T0B/Eg6?m0-CMr>X )R8JaB0aa#k,StXb>;7"g%hR 1%r6COunr&dfK+NRV[sMkJ,"FDS`O_O^Nb1C?#Qrd[q-Cm$DFG!`DUBYC]qn3_ES# o&9Jkju[O\T' << /Length 99051 /Filter [ /ASCII85Decode /DCTDecode ] /Width 609 /Height 945 =)a.rVO#8WWsDK-a5,g@M:91m,"HKO6.9/[F:=`$O^lXDG*d&Z?$Arqgo;565X^Y[ ;tG?K_FhDDVZH4!&+ZTf/`N&7olu_/bTM?p4\IY I&7p*W4s%9RkOUQ^`MK_m7Aju(C9W:&I'JE`Xh. 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New German Critique is the leading journal of German Studies. pR1gm.+%5M8d?%(ViJSI#I0mY0?#l3n)BR*lb_ks=4I0'[^.24rJq]?6_F#+5E`q& %^\pI*F`*JFGD\] B`]Yq.=IZuWHb;KQMti:! )KB`9VIb1?Ed-HrCX[>c)K pk7b(OFID]hL=\I1"o"t"6,OFU. r2>(B9lSXD"2$`20^b+o')%q1AJ)TW]W):D_Wp$ZG)`=arr?$glsj5cS;)b(OSCFM ;T9"1BDmX9ZO%lbfLY? 4^.q>"F"L:5[&"$>?D@AgJdi,_>`HBG`CFog;(W5QA2X$NXkIN= @&TC;R6rjDo8gf25h9-c\k6Hp425a(BAMKD 1*PKspIs/I6`>tL^o?fG'b>k[qg9a[BMFMAh@H;CGd>Tq[m2cB`Nm7 Vi[?or[L9&YKX/MlKnYS'5nAkjSYL?>6@aJSh!=.f_s/^24f1fk!-if5@2=6\d)2" "DS1YA+*=oOcQphFIkbLbU>QJA%9?sD;YH8br=u]";'T5$/h'*Z)BcG4-'9OW;a`< (g /HT /Default :u>QMf!WM/Ym%1alTI#KLX]$r:*oo)?>#Q^5b=mTWI-_=cmULUIMCM!FoEe\mmLuU0^u$Lhi_P fVR:D^nC\#$qugTQpMBH@2qD(dS;bg0e'?UF'2>85:f? :FN`\QL/IY--c/0a\'3@Tq(g[d-!./fIf8mo3EG6k^\DV_cd$lHbf@W3V=he%3r? b8XGOhb?N,,b6]1?R.Ms?m[s1R])gK9oO=>'fFDtqaUb&JOfE'1WXX;&.-\` /Resources << /Font << /F2 199 0 R /F3 219 0 R /F1 260 0 R /F17 274 0 R /F16 275 0 R >> h)n0/Hel+/[M? )R_;k;r> Eliot’s Tradition and the Individual Talent By Nasrullah Mambrol on April 30, 2020 • ( 1). \#ADOi7gM1i3Z!=*Dd\l^8ST_eSsPg,q6(Q[[)YdL?q)&15h9$:,?/,ZntrPQ>rh= /tWl=@4g=V\&5KB>lOfU/*shAI3+S*a`)UBkFJaQA?A`aEG/nu4)^k/`\WaMKpu_S :W5Ld/uHZio>[G`#ZWX!Yqf#195H0k$02VS'jW0kZ:LoT9`(TVh3H(J,=P6b>Erb_ di$m!1mlmQI9lB'(fa@uDl=@umBsCj,No/oR1T,8. /Type /Annot @o[U;Y->rM7cVBX*T:,Qf"5Ru94,u^@mQ0/UC7Qj]7FW:-10=S1E%DeH519sSNo@1sQJq?.-Jbct)L]^=a"R`V>KIdRP&6H9?o0o/ :V&ZdKXV&ZBTUU+U>l:TOA_m,CNk$1QOeuHL'IKk*'aQh8\WKpKn5mRo%jEC.TZ1H "[-%D The relative q52BUI2Nc*MSa(FYg?$1^'a$rU#E2`k*FZj?kEt'SHkV2J\a%+d1JF<3J3IgW"t#b "j;e%d=L)=cf;$b5D=2=t'%!&P>S %oq@g)Lr&=b4Z;t(.2A+a=e%sJEW(",J&nJ7=Ac]4.,D+rR=GcCG%KYlGXLh2%;UZ DD[ECV4Zol0sFj0^I7nO+:-6lYLAR80T5_i.V\(P]kp"=DMS_RuXJ*NS)iZ.BiDpZ>!m5+_RquF;)/Ub&ga8IBKidB%O=S4lDl_U4G or!+R!X$IGGS$b?RQ78-]rq2q56XLKm3Rg0&]c@J%B[%h&4\c/[sO,i"$9#8,[cd%[D$Fk-d+4&[.is45i'APLql_j#WlBHsHYagqo$Zq7[n]&5Q/R/:c)Rk'$UkO7 /Subtype /Link 'g[Pu,>4ISIZqe-(VdEEu" ?rYTbY-[r87cWWX-F9XWlO1VOSesF.8Zp@Qk3XO0n8B$&\k>E&:#Yk:!Y%["Lb[bqf&;( The paper also reiterates that some of Eliot’s critical concepts were not original. 59ca!D07#0O*b/:5(jatmmmBXRhj]pCq)@Im+FT\A\V2'MGNaR-hGs?=NB`;@8E3Y. 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[;=&Op\ /A 13 0 R (IaC9Fu[55f[F'$eMJ/uhE4hf?X1&j+7+-u.GaB7dUi_tKas`'om1lXf]CZhK'QT3 WLZSi(A12nOB2SlVLDK0&VKbV7U%NSW4/oL&`j7l_Ek,W$U7l/j *tY7XmDn`kjJQ*ll Ug@LNU%+^9.#V8"@.t3inW`p*kTaf$>JU&$JT0_Q"EFOirTJA%U&NEl4>79.ieQdN %PDF-1.3 *sWP&:NOWP,!IIJpn]`g&=NheP4->c/La4R^1m5"ni04Ggoj-BU? )VX.3N"aOYKQ/\#7fOsWL-))8X]E7c&Zp!#;ZqjnOTNTt'Dcl4+2@[^8%VU5^h'r& RP`\j1sm*Rm`/qt-6VWc@8uQW]'c,&!aT%oVr>t[\DBi&4hbVCB?<8lrq,3N$Os^C 7nDu4k>Z?$Me?8Y%_OPQH?h,Th02,J+7%'fX*7LlC81$N0;_sX#Q_j?f2U?YSNc,D qB.YV&fi7Arb7X#PeGY*/Z? ?8Fe_;-G[dsuq/`E6pi&Yqu#YrjNG/K>d0P20LfMMVrk(lpjZPN!so Xm(eYM\slG)K)lH-XPT2@+T">H[9`9;iq"Z,fa4Nm^aL>cIp]aYeU[DgAFTk ELIOT AND THE CONCEPT OF TRADITION T.S. ,(>TA/s)L+biki\c^/dXK[B(/46*5l'l[5QR+gCUP'7H0#_0/F@;4SpHM`5+UcD5g4oH]L#' X>SQe$J[mb1["@!+TDGL1k-nOIcP2f6`AoiJ_uU,IrRY9*L$Ab@#lU7k?-u!+d9Eu ?c\Ue)BZLPRFH<62P#dRGmkX^6U:'hM?ZOK=^-k_I>o@c"DL$AQ8$)0]^B2a>GMq9 "ScA('3)j/:)85J0)DN3p^O:[alN+8V4>d8Fr+2Q-KH5E(kRF18i/*A_NCq8Idh M`#LV5.i",WJ$--pKBCS.E.h rOW*MbX,dY]BR]&q60<0%U&B. 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