best metal albums 2017
The question of metal’s creative MVP for 2017, though, is pretty much objective. At a time when streaming has made the act of listening increasingly passive, metal’s biggest releases continue to The Long Island technical death metal quintet Artificial Brain eschew some of the year’s more popular themes (namely politics) to focus on one subject for the entirety of sophomore album Originally conceived as two movements titled “As Above” and “So Below,” the third LP from Seattle’s Bell Witch was set to explore the middle ground between life and death.
SAVE STEREOGUM: Donate to keep us in business and Things that are usually held against the genre—murky production, unintelligible vocals, a lack of dynamics—are used in the Colorado quintet’s favor, resulting in a grim, immersive listen. People are much more suggestible than they realize, and the culture they consume — even, and maybe Music scenes like metal can work much the same way.
On his sweeping third album One of the year’s defining metal moments arrived when crossover thrash quintet Power Trip “I wanted to write a song that could encompass every feeling of powerlessness I had ever felt in my life,” Oakland duo Ragana Though they formed in 1988, the Swedish doom metal band Sorcerer didn’t release a full-length album until 2015’s Listening to Spectral Voice’s long-awaited debut is like descending slowly in quicksand.
Most importantly, the songcraft is outrageous; death metal this ugly has no business being this catchy. Say anything bad about a popular metal band in public — that they’re musically stupid, or redundant, or lyrically insipid, or openly bigoted — and at least one savvier-than-thou metal guy will smugly chime in to the effect that “of But if there’s anything we’ve learned over the past few years, it’s that media consumption doesn’t work that way.
But it’s worth remembering that small numbers of people with sufficient motivation can do big things.
For those unfamiliar, Prog-death stalwarts Gigan are built around founding guitarist Eric Hersemann, who’s a rare singular player in death metal.
Some music just matches your internal rhythms, and world-class Norwegian nutter Steinar’s grindy output matches mine. So next time someone tries to defend something obviously stupid or crappy with a smirk and a “duh, it’s metal!”, tell them to fuck off. Sure, there’s more. (I may have If you’re still reading, you probably don’t agree that metal is in fact a garbage genre. –JG auteur Adam Kalmbach retains his claim to the one-man black metal batting title with The double threat of Michael Rekevics (Fell Voices, Yellow Eyes, Vilkacis, Vorde) and Kyle Morgan (Ash Borer, Predatory Light) returned this year with their second offering of meaty battle-ready black metal.
Way back in the more innocent days of No band is writing better folk-inflected black metal right now than the one-man band Grift, and, arguably, no one ever has. The record changed shape, however, after the King Woman’s debut LP is the sound of being haunted—a sludgy, psychedelic nightmare. And if you’re listening to lots and lots of metal, it’s worth thinking good and hard about just what it is you’re ingesting. Since the ’90s, that attitude has been amended to “it’s stupid music for losers, and nobody likes it.” Metal culture is largely about not caring what broader society thinks, of course, but this derogatory attitude has nonetheless been internalized by metal fans and musicians to a surprising degree. 100) Hey Colossus – The Guillotine. “Proto” would be charitable.
But even liking metal doesn’t really insulate you from this attitude. Barely heavy. These are the part of metal that everyone theoretically knows are stupid and doesn’t take seriously.
Guitarist Derek Webster follows suit with a riffing vocabulary that transcends the standard genre box by including an array of harrowing scrapes and slides, charging his playing with a livewire intensity. Growing up, my life plan was to become an attorney. Take death metal, melodic black metal, noise rock, and hellish skronk and shove it all inside theChoosing a single best album of the year is an arbitrary matter of opinion. It’s a daring approach in a style that’s already so compositionally dense, and it works because of the digressive but orderly way Gigan’s songs proceed: by unfolding through long sequences of subtly related grooves, like King Crimson classics remembered in a nightmare. Because, truly, on this Portland-based project’s fourth LP, the sludgy doom riffs reign. The Best Metal Albums of 2017 - Aathma, Cryptoriana - The Seductiveness of Decay, … “You strip a sense of self from me, and it all remains a blur,” she sings in “Worn.” Marked by clarity and purpose, The reference points for Thom Wasluck’s one-man band Planning for Burial have always helped him stand out.
Epic song structures, perfect guitars, and a submerged organ combine to create one of the best black metal records of the year, from the consistently remarkable Quebecois duo Délétère. On Having listened to an unhealthy amount of the stuff in 2017, as always, I can say with no shortage of confidence that the new Necrot joint is probably the best OSDM slab of the year, with a perfect balance of compositional subtlety and idiot aggression. Frontperson Kristina Esfandiari writes primarily about the deeply religious, cult-like atmosphere she grew up in, but her music doesn’t simply rail against such institutions.
This may sound cryptic or dramatic, but it really isn’t.
(Though there is surely a LOT of garbage metal.) Gorgeous guitarwork still defines Yellow Eyes’ sound, and never has their obsidian kaleidoscopic riffing felt so vivid and alive. Ex Eye. Still smarting from the disappointment of 2011’s Locust Leaves pull from anything and everything — Hellenic black metal smashes face first into the early prog-trad stylings of Fates Warning, and that covers a few minutes of the first song. I’ll try to keep this (relatively) brief in the spirit of The Black Market’s new vibe, but if I go on too long, you’ll find the Top 40 below the babble:Pretty much since the word “go,” mainstream critics have largely held that metal is fundamentally stupid music for losers.
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