Des Moines Art Center, Iowa In this article I want to compare Velazquez's painting of Pope Innocent X (1650) and Bacon's Study after Velazquez's Portrait of Innocent X (1953) in order to assess the reasons that explain Bacon's obsession with the image of the Pope. In this article I want to compare Velázquez's painting of Pope Innocent X (1650) and Bacon's Study after Velázquez's Portrait of Innocent X (1953) in order to assess the reasons that explain Bacon's obsession with the image of the Pope. ML_Thesis Statement_Textual Analysis… Other than Velazquez Bacon was inspired by Michelangelo, Van Gogh, and Picasso. Study after Velazquez's Portrait of Pope Innocent X. This system of oppression is the source of violence Bacon portrays in Study After Velazquez’s Portrait of Innocent X. Log in to USEUM to download unlimited free images, send e-cards and interact with thousands of famous paintings, drawings and illustrations. specifically focusing on Study after Vela´zquez’s Portrait of Innocent X (1953). The transparent skirts of Pope Innocent’s gown seem to flow over the lines, which I think add a spectral feel. Oil on canvas 153 cm × 118 cm Des Moines Art Center, Des Moines, Iowa. The sketchy lines around the Pope suggest a barrier of some kind and further add to the feeling of confinement, but also that of something of value on display, untouchable and protected. This version is considered by most to be Bacon’s definitive statement on the theme. Loading content ... . He was doing something unique, and all he needed was the masters that inspired him and his own genius. He highly respected the Spanish master and thought his painting “miraculous”, but when visiting Rome in 1954 he didn’t bother to see this painting in the flesh at the at the Doria Pamphilj Gallery. The main reason is that the many years ago that I was an art student I was inspired by his style of painting and his weird nightmarish visions. 53-02, Study After Velázquez's Portrait of Pope Innocent X, Catalogue Raisonné , Volume II pages 308-311. No one really knows why Bacon painted this image of a tortured screaming pope, they can only conjecture, although Bacon has been quoted as saying he wanted to “make the best painting of the human cry”. Study after Velazquez's portrait of Pope Innocent X @inproceedings{Bacon1953StudyAV, title={Study after Velazquez's portrait of Pope Innocent X}, author={Francis L. Bacon}, year={1953} } Painting in a Godless World', 'Robert Melville has a look at a book about Francis Bacon', 'Round the Galleries: Crisis Under the Skin', 'Round the London Galleries: The Catalan Magician', 'Sexing the Canvas: Calling on the Medium', 'Shafts from Apollo's Bow - The Return of the Problem Picture', 'Show that brings home the Bacon to a new market', 'Sides of Bacon: A portrait of the artist by his friends', 'Soho's days of wine and poses and whisky galore', 'Talk at the Palais des Beaux-Arts, Brussels, 1971', 'Tate Gallery: Exhibition of recent acquisitions', 'The American way with art: Francis Bacon - Recent Paintings', 'The Art World: Aesthetics of Mutilation', 'The Body Unbound: The postmodern aesthetics of Francis Bacon', 'The Bones and the Flesh: Henry Moore and Francis Bacon', 'The Devil in Mr Bacon: Film of the Week: Love is the Devil', 'The Horrific Vision of Mr. Francis Bacon', 'The Master of the Macabre, Francis Bacon', 'The Mather Award: Citation / On the strange case of Frances Bacon', 'The Narrative of Perception and the Perception of Narrative', 'The Primal Cry of Horror: The A-theology of Francis Bacon', 'The SR Interview: "I Think About Death Every Day"', 'The ambiguous precision of Francis Bacon', 'The art of infuriating: Giles Waterfield on Bacon', 'The curse of the buddha and other whodunits', 'The fine art of drinking at Muriel's bar', 'The making of an artist - from weakling to enigmatic master', 'The paintings of Mr. Bacon: A prophet of doom', 'This Teeming Womb, This Non-Isle, This Non-England', 'Three Bacon paintings to be sold for £2m', 'Too risqué for Iran, Bacon's 'lost' painting goes on show', 'Too risqué for Iran, Bacon's nudes may be shown in London', 'Twentieth-Century Choice at the Marlborough', 'Two British art patrons of the 1940s and 1950s: Sir Colin Anderson and Peter Watson', 'Unseen paintings may provide evidence in Bacon court case', 'Visions of a Violent Century In Francis Bacon's Paintings: Bacon's Visions of a Violent, Disjointed Century', 'Vulgar Pictures: Bacon, de Kooning, and the Figure under Abstraction', 'What the critics said: Bacon in his prime', 'You should see his bedroom... Why we need clutter', '£1.8m price tag for 'lost' Bacon painting', Bacon a Brera: e quaranta disegni di Grosz in sosta a Milano, Bacon: 1909-1992: Deep Beneath the Surface of Things, Changing Perceptions: Milestones in Twentieth-Century British Portraiture, Conversas com Francis Bacon: O cheiro do sangue humano não desgruda seus olhos de mim, De Manet à Bacon: La collection Jacqueline Delubac, El olor a sangre humana no se me quita de los ojos: conversaciones con Francis Bacon, Erica Brausen: Premier Marchand de Francis Bacon, Francis Bacon (1909-1992): Three Figures at the Base of a Crucifixion c. 1944', Francis Bacon Kreuzigung: Versuch, eine gewalttätige Wirklichkeit neu zu sehen, Francis Bacon ou la brutalité du fait: suivi de cinq lettres inédites de Michel Leiris à Francis Bacon sur le réalisme, Francis Bacon/Henry Moore: Flesh and Bone, Francis Bacon: 'Taking Reality by Surprise', Francis Bacon: Catalogue Raisonné and Documentation, Francis Bacon: Critical and Theoretical Perspectives, Francis Bacon: His Life and Violent Times, Francis Bacon: In Conversation with Michel Archimbaud, Francis Bacon: L'art de l'impossible: Entretiens avec David Sylvester, Francis Bacon: Lo Sagrado y lo Profano / The Sacred and the Profane, Francis Bacon: Paintings from The Estate, 1980-1991, Francis Bacon: Recent Paintings 1968-1974, Francis Bacon: Studies for a Portrait: Essays and Interviews, Francis Bacon: The Early and Middle Years, 1928-1958, Francis Bacon: The Papal Portraits of 1953, Francis Bacon: Vier Studien zu einem Porträt, Francis Bacon: logica van de gewaarwording, Francis Bacon: Œuvre graphique - The graphic work: Catalogue raisonné, Interviuri cu Francis Bacon: brutalitatea realităţii, L'odeur du sang humain ne me quitte pas des yeux: Conversations avec Francis Bacon, La brutalità delle cose: conversazioni con David Sylvester, Movement and Gravity: Bacon and Rodin in Dialogue, Museum of Modern Art Ludwig Foundation Vienna, New Art New World: British Art in Postwar Society, Robert and Lisa Sainsbury Collection: Volume I: European 19th and 20th Century Paintings, Drawings and Sculpture, Roy de Maistre: The English Years 1930-1968, Rozmowy z Francisem Baconem: brutalność faktu, Studio and Cube: On the relationship between where art is made and where art is displayed, The Battle for Realism: Figurative Art in Britain During the Cold War 1945-1960, [The Rubens Prize awarded to Francis Bacon], ‘Just a pile of paint and a nightmare of chic thrills’, 感覚の論理 : 画家フランシス・ベーコン論 [Logic of sensation: Francis Bacon], 肉への慈悲 : フランシス・ベイコン・インタヴュー [Interview with Francis Bacon], 나는 왜 정육점의 고기가 아닌가? When I look at it the principal feeling I get is pain, that of a mental frustration, perhaps one of insanity. In Study after Vela´zquez’s Portrait of Innocent X the turbulence of the body resolves itself through the insistence of the scream which survives the effacement of the body.66 What we as viewers are bearing witness to is ‘an extreme point of cosmic dissipation, in a closed but unlimited cosmos’.67 The framing down of the image of the Pope in the space-frame accentuates the sensation of disintegration … The painting can now be experienced as part of the Des Moines Art Center’s ‘Collection Highlights’, a wide range of pieces by modern and contemporary artists including Constantin Brancusi, Georgia O’Keeffe, Edward Hopper and Eva Hesse. By the early 1950s, Bacon, a sometime painter and decorator from Dublin who lacked any formal education in … Contrary to a traditional portrait the viewer is made to feel ill at ease. The lines that run down and out of the bottom of the surface of the canvas evoke a sensation of tension, perhaps caused by the noise of the scream. But the scream was never in Velázquez. *Please note all details including names, dates and featured works, opening days/hours are subject to change. Robert Melville, reviewing the 1964 Alley/Rothenstein catalogue raisonné in Studio International, July 1964, observed that Study from Innocent X, 1962 (62-2), despite having been painted only two years previously, had already been given three different (if unofficial) titles – Red Pope, Red Pope on Dais, and Red Figure on a Throne. Francis Bacon (1909 – 1992) is one of the few modern artists that I like, or rather the most modern. And although that can be unnerving and unattractive, I like it. Word Ref: The Estate of Francis Bacon website. The painting is noted for its realism, in that it is an unflinching portrait of a highly intelligent, shrewd but aging man. Browse Widewalls and discover more auction records by Francis Bacon, with prices and details of each lot! There is little solidity in the painting, the stark blackness of the background give the colours an electric quality. So where has it all gone? Francis Bacon [The butcher's meat: Francis Bacon], 인간의 피냄새가 내 눈을 떠나지 않는다: 프랜시스 베이컨과의 대담 [Conversations with Francis Bacon], Study After Velázquez's Portrait of Pope Innocent X, FRANCIS BACON, REINHARD HASSERT AND EDDY BATACHE, CATALOGUE RAISONNÉ FOCUS: STUDY FOR PORTRAIT (AFTER THE LIFE MASK OF WILLIAM BLAKE) I, II & III. This study, his famous depiction of a screaming Pope, encapsulated many of the central themes in Bacon’s work. ArtSmart: 'Study after Velazquez's Portrait of Pope Innocent X', 1953; FRANCIS BACON. Later in life his reputation as a drinker, a gambler and a homosexual preceded him, and an inner struggle to confirm identity and consolidate religion has been read into his oeuvre. and Bacon's Study after Velazquez's Portrait of Innocent X (1953) in order to assess the reasons that explain Bacon's obsession with the image of the Pope. The skeletal look of his head and the rigidity of his pose strongly emphasise his scream, the only suggested element of movement or life. Bacon continued the pope theme with obsessive intensity throughout the following decade and intermittently in the 1960s. These were among the most outstanding compositions he had produced by … Corpus ID: 192611432. He was obsessed with a painting done 300 years earlier, a painting by Diego Velázquez which he claims never to have seen. 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After spending so long working on the subject Bacon disregarded it as “silly” and a waste of time. Francis Bacon's new paintings: Extraordinary use of photographs', 'Mr. Images: “Portrait of Pope Innocent X” by Diego Velazquez, 1650. Although he never saw the Velasquez in person, Bacon became entranced by reproductions of the work. Returning to Study for a Head, 1952 we can now fully appreciate and admire how it anticipates and informs Bacon’s best known painting — Study after Velázquez’s Portrait of Pope Innocent X, 1953.It is an uncanny harbinger and well rehearsed study at roughly half the size but cropped to concentrate on the all important head and shoulders. Portrait of Pope Innocent X is an oil on canvas portrait by the Spanish painter Diego Velázquez, executed during a trip to Italy around 1650.Many artists and art critics consider it the finest portrait ever created. Licensed under Fair use via Wikipedia -, http://en.wikipedia.org/wiki/File:Study_after_Velazquez%27s_Portrait_of_Pope_Innocent_X.jpg#mediaviewer/File:Study_after_Velazquez%27s_Portrait_of_Pope_Innocent_X.jpg, A Pre-Raphaelite Collection Unveiled: The Cecil French Bequest, Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. But in comparison I find Bacon more…real, for want of a better word; more visceral and relatable. Inbox – Sign up for daily fun facts about this painting URL Add tags... to embed object. Bacon disregarded it as “ silly ” and a waste of time considered by most be. Tags... to embed this object, paste this HTML in website I like, or rather the most.! Housein London worst ways `` Study after Velazquez 's Portrait of Pope Innocent X visiting, recommend... On display at Apsley Housein London study after velázquez's portrait of pope innocent x analysis was inspired by Michelangelo, Van Gogh, and a waste time! 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