It was also Ford's last commercial success, grossing $3.3 million against a budget of $2.6 million. He returned to active service during the Korean War, and was promoted to Rear Admiral the day he left service. Ford's next two films stand somewhat apart from the rest of his films in terms of production, and he notably took no salary for either job. Films tend to mature like fine wines, so only time will tell whether their decision was justified. He was listed as the fifth most influential director of all time by MovieMaker. Asked what brought him to Hollywood, he replied "The train". It was originally planned as a four-hour epic to rival Gone with the Wind—the screen rights alone cost Fox $300,000—and was to have been filmed on location in Wales, but this was abandoned due to the heavy German bombing of Britain. The next day, Ford wrote a letter supporting DeMille and then telephoned, where Ford described DeMille as ‘a magnificent figure’ so far above that ‘goddamn pack of rats. He discouraged chatter and disliked bad language on set; its use, especially in front of a woman, would typically result in the offender being thrown off the production. The first John Ford film to be nominated for an Academy Award for Best Picture was the 1931 adaptation of Sinclair Lewis's novel Arrowsmith. 6 Billy Wilder His daughter Barbara was married to singer and actor Ken Curtis from 1952 to 1964. The Dudley Nichols–Ben Hecht screenplay was based on an Ernest Haycox story that Ford had spotted in Collier's magazine and he purchased the screen rights for just $2500. Ford also made his first forays into television in 1955, directing two half-hour dramas for network TV. John Ford won none of his four Oscars for his famous Westerns. In contrast to the string of successes in 1939–1941, it won no major American awards, although it was awarded a silver ribbon for Best Foreign Film in 1948 by the Italian National Syndicate of Film Journalists,[56] and it was a solid financial success, grossing $2.75 million in the United States and $1.75 million internationally in its first year of release.[38]. [54], Ford's first postwar movie My Darling Clementine (Fox, 1946) was a romanticized retelling of the primal Western legend of Wyatt Earp and the Gunfight at the O.K. When looking at adjusted domestic box office grosses, Ford’s movies, grossed almost $5 billion in box office dollars. He later moved to California and in 1914 began working in film production as well as acting for his older brother Francis, adopting "Jack Ford" as a professional name. Filmed on location on the Hawaiian island of Kauai (doubling for a fictional island in French Polynesia), it was a morality play disguised as an action-comedy, which subtly but sharply engaged with issues of racial bigotry, corporate connivance, greed and American beliefs of societal superiority. It was followed by Wagon Master, starring Ben Johnson and Harry Carey Jr, which is particularly noteworthy as the only Ford film since 1930 that he scripted himself. According to Ford's own story, he was given the job by Universal boss Carl Laemmle who supposedly said, "Give Jack Ford the job—he yells good". It was a big box-office success, grossing $1.25 million in its first year in the US and earning Edna May Oliver a Best Supporting Actress Oscar nomination for her performance. [2]. Any actor foolish enough to demand star treatment would receive the full force of his relentless scorn and sarcasm. Adapted from four plays by Eugene O'Neill, it was scripted by Dudley Nichols and Ford, in consultation with O'Neill. It was a huge hit with audiences, coming in behind Sergeant York as the second-highest-grossing film of the year in the US and taking almost $3 million against its sizable budget of $1,250,000. In making the film Ford and Carey ignored studio orders and turned in five reels instead of two, and it was only through the intervention of Carl Laemmle that the film escaped being cut for its first release, although it was subsequently edited down to two reels for re-release in the late 1920s. Ford noted: I don't give 'em a lot of film to play with. Recurring visual motifs include trains and wagons—many Ford films begin and end with a linking vehicle such as a train or wagon arriving and leaving—doorways, roads, flowers, rivers, gatherings (parades, dances, meetings, bar scenes, etc. [78] If a doomed character was shown playing poker (such as Liberty Valance or gunman Tom Tyler in Stagecoach), the last hand he plays is the "death hand"—two eights and two aces, one of them the ace of spades—so-called because Wild Bill Hickok is said to have held this hand when he was murdered. Ford explained in a 1964 interview that the US Government was "afraid to show so many American casualties on the screen", adding that all of the D-Day film "still exists in color in storage in Anacostia near Washington, D.C."[47] Thirty years later, historian Stephen E. Ambrose reported that the Eisenhower Center had been unable to find the film. According to an account repeated in Tag Gallagher’s John Ford: The Man And His Films, among others ... won one of four documentary Oscars for 1942. [4] Barbara Curran was born in the Aran Islands, in the town of Kilronan on the island of Inishmore (Inis Mór). On The Man Who Shot Liberty Valance, Ford ran through a scene with Edmond O'Brien and ended by drooping his hand over a railing. He gave it to people he liked, and expected it to be returned. He earned the nickname "Bull" because, it is said, of the way he would lower his helmet and charge the line. Second, and most important, what was the film nominated against and did great films lose Best Picture this, a lesser work. [2] Ford's work was held in high regard by his colleagues, with Orson Welles and Ingmar Bergman among those who named him one of the greatest directors of all time. Here are 12 outrageous Oscars decisions that look more ridiculous with every passing year. Ford won his Oscars for his movies of social comment, rather than for his classic westerns. Who do think you are to talk to me this way?" Ford's first film of 1950 was the offbeat military comedy When Willie Comes Marching Home, starring Dan Dailey and Corinne Calvet, with William Demarest, from Preston Sturges 'stock company', and early (uncredited) screen appearances by Alan Hale Jr. and Vera Miles. ", such as its parodic use to underscore the opening scenes of Stagecoach, when the prostitute Dallas is being run out of town by local matrons. After completing Liberty Valance, Ford was hired to direct the Civil War section of MGM's epic How The West Was Won, the first non-documentary film to use the Cinerama wide-screen process. Steamboat Round The Bend was his third and final film with Will Rogers; it is probable they would have continued working together, but their collaboration was cut short by Rogers' untimely death in a plane crash in May 1935, which devastated Ford. [4] His father, John Augustine, was born in Spiddal,[5] County Galway, Ireland, in 1854. He was commissioned as a commander in the United States Navy Reserve. [37] Ford's third movie in a year and his third consecutive film with Fonda, it grossed $1.1 million in the US in its first year[38] and won two Academy Awards—Ford's second 'Best Director' Oscar, and 'Best Supporting Actress' for Jane Darwell's tour-de-force portrayal of Ma Joad. Tracy plays an aging politician fighting his last campaign, with Jeffrey Hunter as his nephew. The Austrian film director and screenwriter generally directs films exploring societal issues of the modern world. His action sequences were famous for their vigor and their unrivaled ability to build and sustain tension. His three films of 1930 were Men Without Women, Born Reckless and Up the River, which is notable as the debut film for both Spencer Tracy and Humphrey Bogart, who were both signed to Fox on Ford's recommendation (but subsequently dropped). 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