‘Portrait of a Bearded Man’ was created in 1661 by Rembrandt in Baroque style. Daehner, Jens M. and Kenneth Lapatin, eds. (New York: Oxford University Press, 2015), p. 229, fig. Designed as propaganda to legitimize the ruler and emphasize dynastic connections, these portraits are often highly idealized images of their subjects, bearing an intentional similarity to each other. This portrait was attributed to Giorgione in early inventories and to Titian in 1818. 250-251, cat. An inscription at the left informs us that he was 41 years of age at the time of this portrait. This portrait, in greyish marble, was once part of a larger-than-life full length statue. In the early 1530s he is documented as receiving various payments on behalf of his father for a work by the latter. The attribution to Lotto, made in the later 19th century, is now widely accepted. They should be addressed to: Photographic Archive, Museo Thyssen-Bornemisza, Paseo del Prado 8, 28014 Madrid, Spain. de Imágenes del museo (Los Angeles: J. Paul Getty Museum, 2001), pp. Since the figure does not wear a diadem, he cannot have been a ruler when the statue was erected. comerciales, publicitarios o para cualquier uso 15. El Archivo Fotográfico del Museo Nacional Portrait of a bearded man. Headshot over gray studio background. 7th ed. ed. Portrait of a Bearded Man. This portrait study presents a straightforward and unidealised image of an unknown man. The only known signed works by the artist are the present panel and the panel of. 109 (1949.1) ROOM 9. Title: Portrait of a Bearded Man in Black. The use of images is only granted for private or educational/academic purposes. 69.PA.25. El Museo Nacional Thyssen-Bornemisza agradece el apoyo de sus patrocinadores: Museo Nacional Thyssen-Bornemisza, Madrid, Hans Cranach was Lucas Cranach’s eldest son. Artist: Adriaen Thomasz. Portrait of a Bearded Man; Date: ca. This image is available for download, without charge, under the Getty's Open Content Program. Portrait of a Bearded Man Gallery Stern inventory 1936-37 no. disponibilidad de la imagen solicitada. 91.AA.14. Users may only reproduce a detail or cropped section of the work after obtaining written permission from the Fundación Colección Thyssen-Bornemisza. – oil painting on board – size: 30 x 42 x 0.4 cm – year created: 2017 alquiler de material fotográfico de todas las obras de To avoid potential data charges from your carrier, we recommend making sure your device is … View in Augmented Reality. Portrait of a Bearded Man unknown artist Atkinson Art Gallery Collection Back to image. In particular, the reproduction may not be superimposed with any other images or text. His coat is trimmed with an ermine collar and may refer to his social standing. Property from Carlo Orsi Gallery, Milan. Presentation. It was attributed to Rubens by Max Friedländer, Valentiner Held and Jaffé, who date it to between 1617 and 1618 from indications that it was produced in his Wapper studio-house in Antwerp.. At that time Rubens' only assistant was Anthony van Dyck. La obra de arte Portrait of a Bearded Man, possibly a Self Portrait - Leonardo da Vinci cuadros entregados o impresos sobre lienzo barnizado, o impresiones sobre papel de calidad. This portrait, in greyish marble, was once part of a larger-than-life full length statue. Picón, Carlos A. and Seán Hemingway, eds. (Los Angeles: J. Paul Getty Museum, 1997), p. 68. Sculptors in the Hellenistic kingdom of Pergamon frequently used such grayish marble. The format, composition and technique are close to that of the Cranach studio in the 1530s but the panel can be identified as a work by Hans Cranach due to the presence of the initials “HC”. {1} Mrs. William H. Conroy, Indianapolis, Indiana, by 1959; given to IMA in 1959 (59.25). Meyer, Hugo. Studien zur hellenistischen Portratplastik Pergamons. 6th ed. The J. Paul Getty Museum Handbook of the Collections. ‘Portrait of a Bearded Man’ was created in c.1515 by Titian in High Renaissance style. Megow, Wolf-Rüdiger. An older man with a short beard confronts the viewer with an intense gaze and furrowed brow. If the images are being used for purposes other than those described above, prior written permission from the Fundación Colección Thyssen-Bornemisza is required. Find more prominent pieces of portrait at Wikiart.org – best visual art database. Gans, Ulrich-Walter. El re-fotografiado de una obra Help us improve our records by sharing your corrections or suggestions. The J. Paul Getty Museum Handbook of the Collections. obras del Museo Thyssen-Bornemisza y sus derechos de 1539). Yet, his scale and regal bearing clearly suggest that he is a member of a royal family, perhaps of Pergamon. del Museo, por favor, póngase en contacto con el Archivo Walsh, John, and Deborah Gribbon. 29-42, figs. 350 and inv. Portrait of a Bearded Man Follower of Paolo Veronese (Italian, 1528-1588) Not Currently on View Image Licensing. requerirá un mínimo de seis semanas para estar listo. Unknown 40.7 × 25 × 31.7 cm (16 × 9 13/16 × 12 1/2 in.) Caption (A) "Portrait of a Bearded Man" (Walters Art Museum #32.6), dated c. 170-180 CE from Roman Imperial Egypt; (B) The portrait under ultraviolet light. The panel is dated 1534 next to the sitter’s left shoulder. de mayor calidad de las disponibles a través de la web In such cases, the image credits must clearly indicate the word “detail”. for the wood, several centuries earlier than the stylistic dating of the panel at A.D. 225-250. Open Content images tend to be large in file-size. 148-9. para presentaciones, conferencias, trabajos escolares o solicitudes de escaneados o nuevos fotografiados serán Elección del formato de reproducción personalizado. "Acquisitions/1991." 27.9 × 13.5 cm (11 × 5 5/16 in.) (Los Angeles: J. Paul Getty Museum, 2015), pp. Most of the front half of the man's head is broken as well. Ve esta fotografía de stock de Portrait Of A Bearded Man. 56, 82, 83-87, 88, 93, 103, 199, 280; pl. The present panel depicts a half-length figure of a man with a square jaw, clipped beard and crisply defined features. Grossman, Janet Burnett. The J. Paul Getty Museum and Its Collections: A Museum for the New Century (Los Angeles: J. Paul Getty Museum, 1997), p. 153. Better known for his landscapes and religious scenes, here Bassano paints a portrait of a sitter whose identity is not known. This portrait of the bearded man, for example, is reminiscent of images of the emperor Hadrian (r. 117–138 CE), who popularized the fashion of wearing a thick beard as symbol of his philhellenism. When an image owned by the Fundación Colección Thyssen-Bornemisza is reproduced, all reproductions or the list of photographic credits must include the following: the name of the artist, title, date, © Fundación Colección Thyssen-Bornemisza, Madrid. Open Content images tend to be large in file-size. The content on this page is available according to the International Image Interoperability Framework (IIIF) specifications. Power and Pathos: Bronze Sculpture of the Hellenistic World, exh. Jacopo Bassano (Italian, about 1510 or 1515 - 1592) 62.2 × 54.9 cm (24 1/2 × 21 5/8 in.) 14-15. It is thought that around 1527 Hans began to work as an independent artist, executing both paintings and designs for illustrations while also working for the family business. Towne Markus, Elana. Portraits of the hellenistic era were often idealised as they were designed for propaganda for a powerful figure rather than depicting accurate likenesses. portrait of a bearded man. The head belongs to a larger category of portraiture that arose in the wake of Alexander the Great: portraits of Hellenistic rulers. gestiona la distribución mundial de las imágenes de las Black background with a lot of copyspace. The son of Lucas Cranach the Elder, Hans Cranach first trained in his father’s workshop in Wittenberg. no. Hans Cranach × Hans Cranach. The J. Paul Getty Museum Handbook of the Collections. Dimensions: 6 3/4 x 6 1/4 in. cat. 19 . It has been suggested that it is a self-portrait due to the inscription on it reading “Hans Maller von Cranach”. Adriaen Thomasz Key was a Flemish painter and designer of woodcuts. y sin ánimo de lucro) así como para solicitar imágenes Cremona 1524 - 1587. However, Hans Cranach did not marry and it is now thought that the present panel and the one in Paris depict a patrician couple, probably from Wittenberg. Jacopo Bassano emphasized the man's strong, physical presence by the darkened shadow cast against the wall on the left, the solid mass of his upper body, and the way his flesh is modeled to suggest the underlying bone structure of his skull. Credit Line: Bequest of George D. … Yet, with the bump in his nose, his square jaw, and the folds between his cheek and mouth, this portrait captures this man's individuality. How you can use this image . "A Hellenistic Portrait Head." Open Content images tend to be large in file-size. Attalidische Herrscherbildnisse. 62, 65-68, 82, cat. Philippika, Marburger alterumskundliche Abhandlungen 15 (Wiesbaden: Harrassowitz Verlag, 2006), pp. Romano-Egyptian funerary portrait of a man painted in tempera (pigments suspended in animal glue) on a cedar of Lebanon panel.A rare import to Egypt, cedar of Lebanon was used for the construction of elite funerary and devotional equipment. (Washington, D.C. : American Institute for Conservation and Artistic Works, 1994), pp. the man is painted in ultraviolet powder., and discover more than 8 Million Professional Stock Photos on Freepik Time Period 5/8 in. 54.9 cm ( 11 × 5 5/16 in. charge! At camera, 82, 83-87, 88, 93, 103, 199, ;. A Headmaster of Hogwarts School of Witchcraft and Wizardry in an unknown...., without charge, under the Getty 's open Content Program of his for! ’ s portraiture was 41 years of age at the time of this portrait been that!, Indiana, by 1959 ; given to IMA in 1959 ( 59.25 ) Bürki & son (,... 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